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Pizzicato multiphonics

Pizzicato multiphonics is used extensively in all of the two-hand flageolet pizzicato passages in my piece Glasperlenspiel (2010). I wanted the effect of loud, ringing tones to equal the tones that are being hammered by the left hand on the fingerboard. A passage is shown in example 1, where pizzicato multiphonics can be studied in bar 90 and bar 92-95. The left-hand flageolet pizzicato and hammer-on is notated with upward stems, while the right-hand pizzicato is notated with downward stems.

Ex. 1. Håkon Thelin: Glasperlenspiel